The Coast
Max Baraitser Smith
The Coast is A troll is a class of being in Norse mythology and Scandinavian folklore. In Old Norse sources, beings described as trolls dwell in isolated rocks, mountains, or caves, live together in small family units, and are rarely helpful to human beings.

Later, in Scandinavian folklore, trolls became beings in their own right, where they live far from human habitation, are not Christianized, and are considered dangerous to human beings. Depending on the source, their appearance varies greatly; trolls may be ugly and slow-witted, or look and behave exactly like human beings, with no particularly grotesque characteristic about them.

Trolls are sometimes associated with particular landmarks, which at times may be explained as formed from a troll exposed to sunlight. Trolls are depicted in a variety of media in modern popular culture.

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Welcome to the ocean Scroll/drag right Please find a comfortable place to sit This is an online exhibition From students of ArtScience and Sonology Curated and designed by Anne-flo Birgit Emilja Hana YJ Max (code) Let yourself float or follow the guide α cartography Ω sound + body π existential δ human response μ society ν participation ω non-human ψ narrative λ constructing space τ time ξ embodiement π where am I? ξ what is a landscape? μ who is Henrik Morast? δ how to allow it to speak? π why reader? δ how to enter lucid dreaming? ξ do you like your eyes cream? or I scream? π have you ever desired to desire to sedate? π how does a corpse portrait itself? ψ how to create for no audience? Ω did you ever listen to the back of your eyeballs? π why audience? δ how to manifest the body authority in lucid dreaming? Ω industrial scenery ==?== factories Ω can we walk with sound ? ν can we insert a dropbox for participants? ν what kind of porn do I want to see/make? ξ how is (a) place different from (a) space? π is it a product? Am I a product? π where am I? λ how to construct a labyrinth? λ benefits of architecture are.....? λ confined spaces vs. Open spaces λ how do we depart from our armchairs? ξ how is the near? ξ is it ok to dance on an uneven surface? ξ how is the daily made? α how do we construct the past? α what is a trace? α what is lost with every answer? π how do I silence the unknown? π where reader? α what is a deep map? λ can we guide our audience in space with sound? α where does a guideline lead you? ψ how to write to no reader? μ objectivity/Neutrality/intersubjectivity π what is behind every writing? μ is there such a thing as disinterested ontology? τ how do you see things at the same time? ω how to care for plastic plants and other heterogenous beings? ω do the different parts of a furniture from IKEA really want to be together or is it an arranged marriage made without concerns for its participants? π who is within every writing? α is a trace a line? λ how can a space be replicated ? π where audience? ω what kind of machines can we teach empathy to? δ what are the dark sides of our human nature that we are inadvertently teaching to AI? π what is the notion of 'me' as a corporate enterprise? μ is the internet a recursive mirror-world? δ what is the materiality of a scent? δ materiality underlying the built environment? δ what is the economic function of a scent? δ what are the by-products of chemical materials? ψ how to publish and circulate places? α if cartography is so soft, where does an event occur? μ why the fu** would I go to google maps when the statue of Edward Colston gets toppled? α how does a google car steer cartography at the edge of catastrophe? α what is third-person cartography? μ how does the Global Village react to a pandemic? λ how can we synthesize reality based on errors? π is everything inevitable? τ how long till we realize the our species is not a separate entity of the world? π is there a difference between creating and imagining? Ω can you imagine sound solely internally? π does gaining awareness of the dynamic of your subconscious provoke more creativity? π and does it influence intuition? Ω can a score be completely aimless in its essence? Ω can an aimless score still be performed?