Amos Peled Bjarte Wildeman Christian Schwarz [ILAR] Emilija Povilanskaite Hana Kozma Marta Beauchamp Max Baraitser Smith Piet Verkleij Studio Aldo Brinkhoff Yj Wu
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How to forget everything?
How to play in time ?
How many cycles exist in a sound ?
Where is the common ear?
Are Chicago footwork dancers in time ?
How to catch a rhythmic illness?
What is a polyrhythmic body ?
Do words go here?
What do I do after I present ?
Where is my body?
Can isolation bring unity?
Can I make an artificial body ?
Does performing in the dark improve my performance presentation ?
How to choreograph digital bodies?
How do I get there?
Where is the edge of reality?
Can territories be temporary ?
Who is that bird living in that box?
How do Polyergus ants colonise other colonies?
Am I a product of reterritorialization?
Can everything be composed?
What are the interesting aspects about infinite never-repeating patterns for live performance ?
What characters can you give life-less objects by automating them?
At what point does the instrument become the performer and vice-versa?
What is a sound that does not know where he is?
What is a cat knocking on the door?
How does it feel to acoustically follow the hesitation of a navigating ant ?
What is navigation about, when you are placed between the observations of human versus ant navigation?
How do you instruct or choreograph an experience?
How to map a movement?
What is physical architecture?
How can we train unconscious senses ?
Do muscles remember spaces ?
Does finding an aesthetic symbiosis between computer generated geometric shapes, and physical generated organic shapes result in interesting sculpture?
Or is the process itself the artwork.
How to murder a toilet?
Where is the cesspool?
Why is space political?
Is a toilet an embodiment of institutional power?
Can a scent create a sense of vulnerability? ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤ ⬤